- Čeština
- Deutsch
- English
- Español
- Français
- Italiano
- Svenska
- Tiếng Việt
- Türkçe
- Русский
- Українська
- Português
- हिंदी
- 中国人
- 日本
- 한국인
- Română
- Nederlands
- Polski
- Bahasa Indonesia
- Bahasa Melayu
Treasure Island Media (TIM), founded in 1998 by Paul Morris, is not just another name in the vast sea of gay pornographic studios. It stands as a beacon of unapologetic authenticity in an industry often mired in pretense and conformity. From its inception, TIM distinguished itself by diving headfirst into the bareback niche, at a time when such a move was not just controversial but revolutionary. Named after Morris’s beloved book, "Treasure Island," the studio embodies a spirit of adventure and raw honesty, traits that have guided its journey from a single San Francisco office to additional outposts in New York, London, and Mexico City. Morris embarked on this venture with a bold manifesto: to salvage the soul of pornography from the clutches of sanitization and falsehood. He envisioned TIM as a crucible for the genuine, unadulterated expression of male sexuality, a counter-narrative to the industry's airbrushed fantasies. Morris didn't just aim to showcase sex; he sought to document the profound, often complex dance of male intimacy, without regard for mainstream aesthetics or sensibilities. Morris's mission was clear: to preserve the "integrity of pornography and the honest representation of male sexual behavior." Disheartened by the genre's deviation from depicting a broad spectrum of sexual experiences, Morris sought to capture sex in its most meaningful form, shunning the industry's then-standard superficiality in favor of genuine, unvarnished encounters between men. His work is a testament to the complexities of male sexuality, exploring its depths without censorship or judgment. Despite—or perhaps because of—its controversies, TIM has secured its place in the annals of gay porn history.
Treasure Island Media (TIM), founded in 1998 by Paul Morris, is not just another name in the vast sea of gay pornographic studios. It stands as a beacon of unapologetic authenticity in an industry often mired in pretense and conformity. From its inception, TIM distinguished itself by diving headfirst into the bareback niche, at a time when such a move was not just controversial but revolutionary. Named after Morris’s beloved book, "Treasure Island," the studio embodies a spirit of adventure and raw honesty, traits that have guided its journey from a single San Francisco office to additional outposts in New York, London, and Mexico City. Morris embarked on this venture with a bold manifesto: to salvage the soul of pornography from the clutches of sanitization and falsehood. He envisioned TIM as a crucible for the genuine, unadulterated expression of male sexuality, a counter-narrative to the industry's airbrushed fantasies. Morris didn't just aim to showcase sex; he sought to document the profound, often complex dance of male intimacy, without regard for mainstream aesthetics or sensibilities. Morris's mission was clear: to preserve the "integrity of pornography and the honest representation of male sexual behavior." Disheartened by the genre's deviation from depicting a broad spectrum of sexual experiences, Morris sought to capture sex in its most meaningful form, shunning the industry's then-standard superficiality in favor of genuine, unvarnished encounters between men. His work is a testament to the complexities of male sexuality, exploring its depths without censorship or judgment. Despite—or perhaps because of—its controversies, TIM has secured its place in the annals of gay porn history.
Best Treasure Island Media Porn Videos
/video/0k/0kI67F/screen/000-z8b.jpg)
/video/d9/d9tqqM/screen/000-5Cx.jpg)
/xc/AY/AYoxR1/frame/original/10.jpg)
/xc/Bt/BtPIyy/frame/original/16.jpg)
/xc/R7/R7x524/frame/original/20.jpg)
/xc/V3/V3fVoh/frame/original/21.jpg)
/xc/18/18d6GG/frame/original/2.jpg)
/xc/a6/a606V1/frame/original/22.jpg)
/video/pn/pnKvB7/screen/000-IIz.jpg)
/video/BD/BDgxpu/screen/000-119.jpg)
/xc/WW/WWIl52/frame/original/2.jpg)
/xc/gx/gxtae8/frame/original/19.jpg)
/video/Dw/Dwl9V6/screen/000-y1l.jpg)
/xc/TX/TXqJVl/frame/original/21.jpg)
/xc/DG/DG53lG/frame/original/18.jpg)
/xc/5t/5tSaR5/frame/original/15.jpg)
/xc/hF/hFEh01/frame/original/19.jpg)
/xc/C6/C6CYsS/frame/original/13.jpg)
/video/74/7419hD/screen/000-1t3.jpg)
/xc/F1/F1dlFZ/frame/original/24.jpg)
/xc/8A/8AfVvZ/frame/original/5.jpg)
/xc/bc/bcVnpU/frame/original/25.jpg)
/xc/6W/6W7815/frame/original/15.jpg)
/xc/w1/w122H1/frame/original/11.jpg)
/xc/TY/TYh1K2/frame/original/22.jpg)
/xc/Ei/EiIMRt/frame/original/6.jpg)
/video/vY/vY81Mg/screen/1-bN1.jpg)
/xc/Iy/Iy9S96/frame/original/11.jpg)
/xc/qX/qXTCAu/frame/original/16.jpg)
/xc/L1/L116W2/frame/original/20.jpg)
/xc/2h/2h31hM/frame/original/22.jpg)
